JOHANNESBURG – An Islamic extremist can't summon the necessary fervor while making a video hailing the jihadi cause in a scene from "Timbuktu," an Oscar nominee for best foreign language film that is ...
Violent jihadism as a governing ideology has been a significant feature of the global scene for nearly two decades. There are certainly differences between say, the nature Al Shabaab's control over ...
Even when you get past the eerie-coincidence level of Abderrahmane Sissako’s Oscar-nominated “Timbuktu” — a film about the causes, consequences and contradictions of Islamic extremism, made by an ...
PARIS — Benoit Jacquot’s “Three Hearts,” Abderrahmane Sissako’s “Timbuktu” and Eric Lartigau’s “La Famille Belier” are part of the eclectic mix of movies set to compete at the Lumiere awards, the ...
On January 15, the same day that the Academy nominated Mauritanian film Timbuktu for Best Foreign Language Film, satellite photos emerged of the devastation wrought by the Islamist militant group Boko ...
The word "Timbuktu" is slang in the West for East of Nowhere, but in the film Timbuktu, this city in Mali on the edge of the Sahara is an epicenter, a volatile crossroads for several distinct cultures ...
Timbuktu, the entry from Mauritania that'll compete for the best foreign-language Oscar at this Sunday's Academy Awards, is set in neighboring Mali in West Saharan Africa. The movie, which opens ...
The director began to weep while discussing his competition film's depiction of the brutal Islamic law that has been instituted in his home country of Mali. By The Associated Press Abderrahmane ...
Filmmaker Abderrahmane Sissako admits he was naive to think he could shoot his award-winning drama “Timbuktu” in the ancient Mali city so soon after the French military had driven out Islamic ...
Kristen Stewart holds her trophy for the Best Performance by an Actress in a Supporting Role for "Sils Maria" during the 40th French Cesar Awards Ceremony in Paris, Friday Feb. 20, 2015. This annual ...
Movies about terrorism, whether told from the perspective of investigators, victims, or perpetrators, tend to focus on catastrophic attacks. This makes sense for cinematic reasons—few things build ...